Top 21 Quotes by Serge Schmemann

Writing for adults and writing for young people is really not that different. As a reporter, I have always tried to write as clearly and simply as possible. I like clean, unadorned writing. So writing for a younger audience was largely an exercise in making my prose even more clear and direct, and in avoiding complicated digressions.

Buyers of powerful cars place a high premium on the exhaust note, and manufacturers spend a lot of money getting it right. At the same time, high-end cars are expected to filter out the sounds of the mundane world.

A history of perceived humiliation, after all, lurks behind many acts of terror. And competing narratives of victimhood and insults sustain conflicts in the Balkans, the Caucasus, the Middle East and many other regions.

The fall of the Berlin Wall is very much a sequel, a continuation of the story about Eastern Europe emerging from war and Communism. The notion of presenting history as a story also appealed to me very much, since that is the way I look at the events I cover as a reporter.

Our daily life is filled with electronic pianos, ring tones, the disembodied voice giving you your bank balance over the telephone. Even silence can be electronic, courtesy of sound-canceling headphones.

Back when George W. Bush was identifying his Axis of Evil, it struck me that a longer and more instructive list could be compiled of the Axis of the Humiliated (or Insulted and Injured, to borrow from Dostoevsky).

My own kids were with me in Berlin when Germany was reunited, and they were with me in Moscow when the Soviet Union collapsed. We talked about these things at the dinner table, at their schools, with their friends.